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Amyntas: North African Journals, by Andre Gide
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Product details
Paperback: 159 pages
Publisher: W W Norton & Co Inc; RE ISSUE edition (April 1, 1988)
Language: English
ISBN-10: 0880011661
ISBN-13: 978-0880011662
Product Dimensions:
1.4 x 0.6 x 7.9 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review:
3.7 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#3,980,523 in Books (See Top 100 in Books)
André Gide was a French writer who lived from 1869 to 1951. He was raised in a conservative social environment in Normandy, and in his adult years traveled extensively through France's colonial possessions in Africa, writing several books about his experiences there, including this one, which was published in 1906. The setting is in Tunisia and Algeria, and I have had an interest in both countries, particularly the latter, so I felt this book would be of interest. In 1947 Gide received the Nobel Prize for Literature.The title refers to a Greek shepherd boy in Virgil: Eclogues (Cambridge Greek and Latin Classics). It tells the story of the shepherd Corydon who "burned with love for the beautiful Alexis." It contains the lines "Piping beside me in the woods you'll mimic Pan" and "You'd not be sorry when the reed calloused your lips: What pains Amyntas took to master this same art." Hum! Gide defended pederasty in his 1920 book, Corydon, which he considered his most famous work.No question the author is enthralled with the brilliant sun-drenched landscape of Algeria, a sharp "depaysément" from the "gris" of his native Normandy. He can wax lyrical with descriptive passages such as: "wild pomegranate intolerably acrid with aromatic astringencies"; and, "syrupy figs, and grapes both violet and golden, so sweet I could eat only four, the rest I gave to children." My favorite is "an avalanche of sun." Now, why had I never thought of that before? But the book is an eclectic mix of highly impressionist wanderings, seemingly random and with no purpose. Perhaps, unsurprisingly, he complains of the other tourists, citing examples of his interactions with the natives that are far more authentic. Hum, again.Over half the book is entitled "Travel Foregone." In the preface, he says: "I worked all summer, drawing on my recollections. Vague ones; they lacked immediacy, and I no longer knew what to do with them. I was working to no purpose...Back in Normandy, at least I tried to rework them into a more coherent whole. But when I reread them, I realized that their ardor was perhaps their sole virtue, and that any embellishment, however modest, would spoil them. I published them here virtually without changing a single word." Alas, that is precisely what I found to be the problem!More jarring to me was the subject "40 days of Ramadan" cited on page 21. A wild projection of the Christian 40 days and 40 nights of fasting in the desert. What does it say about his other observations, or knowledge obtained of the country when the 29 or 30 days of Ramadan, depending on the sighting of the moon, is transmuted into 40?Most jarring though, was the pederasty that lurks in the background, never explicit, but an allusion here and there. How much of the West's perception of the Muslim world is shaped by men who are enthralled by far more than the "sun-drenched landscapes?" It is the release from the much more constrictive social morals at home; men like Wilfred Thesigner, T.E. Lawrence, and André Gide, all in pursuit of their Pan, with an exotic backdrop, and without a consideration as to why they are so much more available in these locales. 3-stars for Gide's effort.
Gide's journal of his five year exodus through the exotic cultures of Tunis and Algiers at the turn of the 20th century can only be compared to the senuous language of JUSTINE, the first book of the classic Alexandria Quartet by Lawrence Durrell. This small, delightful book of 159 pages, unfolds to the world that underlies the North Africa today, a century later. According to the translator,Gide,immediately after writing AMYNTAS, began writing CORYDON, viewed by many as his masterpiece, which dwelt on the place of homosexuality in society and on the nature of human sexuality itself. Awarded the Nobel Prize for Literature in 1947, Gide's notations are four separate texts documented by year and place. Translation from the original French is done by Richard Howard, a Pulitzer Prize winner and noted translator.
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