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Product details

File Size: 1187 KB

Print Length: 449 pages

Page Numbers Source ISBN: 031641946X

Publisher: Orbit (March 19, 2019)

Publication Date: March 19, 2019

Sold by: Hachette Book Group

Language: English

ASIN: B07HY82YRP

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Amazon Best Sellers Rank:

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Product details

File Size: 12124 KB

Print Length: 344 pages

Publisher: Yale University Press (September 4, 2018)

Publication Date: July 30, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07H3T2RRW

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Susan Napier has been writing about animation for years, and she has a special place in her heart for Studio Ghibli and Hayao Miyazaki. That passion shows through in this volume. If you have any interest in Miyazaki, Studio Ghibli, or any of their works, this is a must-have book.

What a beautiful book! Thorough and full of information while still very readable. A must-read for fans of Miyazaki's films. Love the color plates in the middle.

Nice book

As someone new to Miyazaki, I wondered whether this book by a recognized scholar would be for me. But I needn't have worried. The book is accessible and insightful -- something to keep on the bedside table.

Great book!!

Amazing. Reading this almost felt like a betrayal an invasion of privacy. His life has been a long and difficult road. Born in a terrible time for Japan, raised in the shadow of great darkness, he carries that shadow. His views are so different from these modern times, yet he had grabbed ahold of the world and we have loved his art. The things I learned about him and his characters, scenery, and location choices gave me goosebumps. I never saw that but I see it now, so many layers. He is a workaholic, that is no surprise, but the fact that he struggled to be seen does. This is a very interesting man who has touched many hearts, while healing his own heart. Don't tell him I said that but that is what I read between these pages.This man's art is breathtaking, the details, and colors so full and rich. My favorite are his clouds, they are so beautiful they compete with nature's version so well it's hard to believe they are drawn sometimes. I have been a fan of his work for many years, I own all his released movies, but knew little of the man behind the genius. You can get a feel of some parts of him though his art, his Shinto touches are most visible to me. His movies are so filled with hope, dread, adventure, struggle, heartbreak, love, loneliness, and renewal. Everyone who watches seems to get something different form his work all feel something strongly. How did this man get so many complex layers, we get to know a few. If you're a fan, read this book. Interested in the mental after effect of devastation and war on a man, read this book.I loved this book. I read a chapter then watched the movie it was talking about. I suggest you do the same with a new vantage point.

Miyazakiworld by Susan Napier is a free NetGalley ebook that I read in mid-August.11 chapters, each of an individual film's origin, interpretation, central themes, and its greater reflection on Miyazaki’s life. Napier goes on a considerably philosophical bent of an animated film evoking depth (of both plot and character, instead of humor and silliness); drawing from European scenery/art/literature; revering life, timelessness, harmony (i.e. an interplay between nature, element/influence of the otherworld, and humans); a slowing of human progress (particularly setting aside adulthood); transitioning amid points in your childhood during crisis and confusion; and fighting through inner & outer conflict in order to live your best life.

I feel really bad about not finishing this - it was an ARC, and it's the first ARC I haven't finished prior to reviewing it.I simply have too much on my plate right now to read a very long, very in-depth academic-level analysis of Miyazaki's oeuvre, even if it's written in an approachable way. What I read was mostly interesting, but I admit that I didn't totally love the psychoanalyzing of mother figures in his work and how it related to his relationship with his own mother. It seemed like a stretch to me. That said, I also didn't perform all the years of research into this topic that the author did, so it could simply be that I'm ignorant.I did enjoy the discussion of Miyazaki's political and ideological landscape, and I found the sections discussing his time at Toei animation very engaging to read.

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Ebook Free Testosterone: Boost Masculinity for Sex Drive, Confidence, Muscle Mass, Fat Loss, Energy, Avoiding Hair Loss and other signs of low testosterone, by Adam Rockman

Ebook Free Testosterone: Boost Masculinity for Sex Drive, Confidence, Muscle Mass, Fat Loss, Energy, Avoiding Hair Loss and other signs of low testosterone, by Adam Rockman

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Testosterone: Boost Masculinity for Sex Drive, Confidence, Muscle Mass, Fat Loss, Energy, Avoiding Hair Loss and other signs of low testosterone, by Adam Rockman

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Product details

Paperback: 100 pages

Publisher: CreateSpace Independent Publishing Platform (January 3, 2017)

Language: English

ISBN-10: 1542318955

ISBN-13: 978-1542318952

Product Dimensions:

5.2 x 0.2 x 8 inches

Shipping Weight: 5.9 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#4,216,576 in Books (See Top 100 in Books)

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Download Dictionary of Blue & White Printed Pottery 1780-1880, Vol. I, by A. W. Coysh R. K. Henrywood

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Dictionary of Blue & White Printed Pottery 1780-1880, Vol. I, by A. W. Coysh R. K. Henrywood

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Product details

Hardcover: 424 pages

Publisher: Antique Collectors Club Dist; 1st edition (June 1, 1982)

Language: English

ISBN-10: 0907462065

ISBN-13: 978-0907462064

Product Dimensions:

8.8 x 1.4 x 11.2 inches

Shipping Weight: 1.6 pounds

Average Customer Review:

4.3 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#1,792,566 in Books (See Top 100 in Books)

Books on transferware (blue and white) pottery are very hard to find. And it's even harder to find a good one, that has enough information to be useful.This is a VERY nice reference book for transferware pottery. While not every pattern is pictured (an impossible feat considering how many different patterns there are), there are dozens and dozens of example pictures through out. Beautiful patterns - some of which I had never seen before. They also show numerous examples of the original painting or sketch or engraving next to the transferware pattern, which I found very interesting. Many makers/manufacturers marks and date stamps are covered also.This book doesn't even attempt to assign monetary prices to the patterns, but as a reference book you can't beat it. Well worth the money!

Fantastic

I wanted a book about flow blue porcelain

Very informative, but the vast majority of the photos are black and white! Not ideal. I would not have purchased the book had this been made known.

With over four hundred pages including at least one item illustrated per page plus forty items in colour this was a long awaited reference work for blue and white not encompassed by works on the major potters. And best of all, only half a page devoted to the willow pattern.Only a collector will value the true worth of this book. A british scene is a difficult item to narrow down as to the manufacturer but the variations here help immensley. British views, british scenery, dioramas are just a few of the series with examples shown, and with the help of border designs the series and manufacturer can be narrowed down if not identified absolutely.There are few dates given for the pieces but as most manufacturers used designs for as long as the design was fashionable or even the entire life of the nanufactory this is a lesser point.And lack of all-colour illustrations is irrelevant in a book on blue and white.As a collector of blue and white this is one of the most used and most useful in my collection; I have ten other books on the subject I would prefer to lose before this.

I bought this book without knowing anything about it, just being sure that if it was half as good as the previous work by these authors it would be worth having. A second volume of a reference work would imply all the best stuff, all the recognizable stuff went into the first; not so. While there would have been protests "you missed out X,Y,Z etc" here would be more contributions from the likes of Friends of Blue and other enthusiasts offering supplemental knowledge and new identifications as well as pictures of items.Some of the entries here have the suffix 'new', meaning it did not appear in volume one at all, and that is nearly every page. Old attributions are reinforced or amended as well as being supplemented.A slimmer volume at two hundred and forty pages with four hundred plus items illustrated and twenty eight in colour. The authors provide references to items from all the major sources as well as references to volume one. This book can stand alone but is best thought of as the second part of the Dictionary.

This is the second of two volumes by Coysh and Henrywood, and both are invaluable. The amount of information about blue-and-white transferware is unparalleled, and the illustrations are both copious and of excellent quality. As to the illustrations, they are mostly black and white. As long-time collectors, we did not find this particularly inconvenient. One knows the output is blue and white; and, as for the specific shade of blue and white, this varies so from not only pattern to pattern, but also from piece to piece within patterns, that it would be difficult as an editor to choose the correct variant.We have several hundred pieces of blue and every book of reference and periodical on the topic, old and new, and we have found this authority to be more useful than anything else for both learning and cataloguing.

This is the first of two volumes by Coysh and Henrywood, and both are invaluable. The amount of information about blue-and-white transferware is unparalleled, and the illustrations are both copious and of excellent quality. As to the illustrations, they are mostly black and white. As long-time collectors, we did not find this particularly inconvenient. One knows the output is blue and white; and, as for the specific shade of blue and white, this varies so from not only pattern to pattern, but also from piece to piece within patterns, that it would be difficult as an editor to choose the correct variant.We have several hundred pieces of blue and every book of reference and periodical on the topic, old and new, and we have found this authority to be more useful than anything else for both learning and cataloguing.

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Dictionary of Blue & White Printed Pottery 1780-1880, Vol. I, by A. W. Coysh R. K. Henrywood PDF

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