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The Conversations: Walter Murch and the Art of Editing Film, by Michael Ondaatje
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Review
"Immensely stimulating....This book should be required reading for anyone working in film and a pleasurable option for moviegoers who wish to deepen and enrich the experience." -- John Boorman, director of Deliverance, Hope and Glory and Excalibur, reviewing The Conversations in the LA Times“As the subject of Michael Ondaatje’s offbeat, exhilarating new book, [Walter Murch] makes poetry out of an arcane, invisible craft…. Readers with even a passing interest in the movies should find many pleasures here…. The Conversations should be required reading for every aspiring writer -- and anyone else involved in learning to shape a work of art.” -- Quill & Quire“Here's one of the more interesting cross-disciplinary meetings of minds to hit book form in some time…. In a series of long conversations recorded over a two-year period, Ondaatje and Murch, both highly intelligent and thoughtful artists, transcend the interview-book genre by following tangents, engaging in arguments, contextualizing everything and reminiscing…. this is compulsive and compulsory reading for anyone in film school or interested in film history." -- NOW“The Conversations is an homage and an exegesis -- effortlessly inquiring and creative. Constructed as a sequence of five discursive interviews … The Conversations is companionable, but not excluding, and intellectually exhaustive, though not for a moment tedious. The friendship of the two men throws an illuminating torch light on Murch’s shadowy profession. The editor should be thrilled to have his genius commemorated in this way…. The probing thoughtfulness Murch displays in his conversations with Ondaatje reveal a preoccupation not just with theory, but with the prospect of a system of notation that might provide a common language to a cinematic profession that is still, essentially, an infant one…. fascinating.” -- The National Post“It’s not often that a quick read provides so much insight.” -- The Ottawa Citizen“It is the movie book of the season, in fact, the movie book for every season…. engrossing … What the book sparks, aside from rarely probed thoughts about editing, is a desire to see again the movies Murch has edited and to do this at home hand in hand with reading it.” -- The Toronto Star“The Conversations is delightful mainly for Ondaatje’s palpable pleasure, the novelist’s pleasure for eccentric characters discovered in emblematic moments. Murch … is certainly eccentric…. The Conversations faithfully represents Ondaatje’s reverance for a man normally beyond public attention.” -- The Georgia Straight“There’s much in store here for film fans…. many fascinating revelations about film as art.” -- Star Phoenix (Saskatoon)
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From the Inside Flap
nversations is a treasure, essential for any lover or student of film, and a rare, intimate glimpse into the worlds of two accomplished artists who share a great passion for film and storytelling, and whose knowledge and love of the crafts of writing and film shine through.It was on the set of the movie adaptation of his Booker Prize-winning novel, The English Patient, that Michael Ondaatje met the master film and sound editor Walter Murch, and the two began a remarkable personal conversation about the making of films and books in our time that continued over two years. From those conversations stemmed this enlightened, affectionate book -- a mine of wonderful, surprising observations and information about editing, writing and literature, music and sound, the I-Ching, dreams, art and history.The Conversations is filled with stories about how some of the most important movies of the last thirty years were made and about the people who brought
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Product details
Paperback: 368 pages
Publisher: Knopf; Reprint edition (October 5, 2004)
Language: English
ISBN-10: 0375709827
ISBN-13: 978-0375709821
Product Dimensions:
6.9 x 0.8 x 8.5 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
46 customer reviews
Amazon Best Sellers Rank:
#168,228 in Books (See Top 100 in Books)
A really interesting meditation on editing and storytelling. I bought this expecting a more how-to book on editing. It is not that. It is very different than that. It's more round about and indirect. It's more about the principles around the moves you might make as an editor than any particular step by step move guide. But given that, it's really interesting to hear an acclaimed and accomplished novelist talk with a really talented film editor. It's really interesting to hear about their tricks for story telling and how they relate. It's more about how to tell a story in general than how to edit or write in particular. But as far as that goes it is completely memorable and very instructional.
This is a wonderful book -- five stars for insight, not only about movie editing but about how a brilliant craftsman uses his broader knowledge to enhance his work. and as the record of a conversation, a pleasure to read. less than five stars for the quality of the paperback edition, however. the paper is cheap and the photograph illustrations, which do so much to clarify meaning in the hardback version, are blurred and flat in the paperback, a definite disappointment. i'm thinking of writing off my purchase and finding a replacement hardback.
An excellent book for anyone interested in the king of audio in the movies. Walter Murch may no be a household name, but his movies are. I loved reading this book and the stories Walter would tell about how he discovered something or what drove him to try something. His passion really comes through in everything he says.
It taught me a lot about film editing - which is useful for book editing too. I read anything Ondaatje writes, and enjoyed reading of the friendship between the two men.
I don't usually like Q&A-style interviews, but this book is a notable exception because it's more like eavesdropping on a private conversation between two very savvy colleagues. Murch has some original and intriguing things to say about the ways he approaches his art (like theorizing that movie music reinforces an existing emotion--rather than inspiring one). Here's looking forward to his next book--the one in which he posits his notational scheme for cinema. It sounds like a crackpot idea, rather like that musical I wisely never wrote in which each instrument corresponded to a different bodily function. I suspect Murch can deliver on his dream, if anyone can.
I loved this book because it is intensely literary and thoughtful. It gives great insights into the creative process which transcends film, sound, and writing; and Ondaatje's thoughtful questions are a huge part of what makes the book great. If it were just a 'normal' author interviewing Murch, they wouldn't have gotten to half the interesting topics which they end up covering. This book is also wonderful because it's such a departure from other books -- it's not trying to fit a type or a genre of writing, so it seems to end up in this essential but interstitial place in between 'how to' 'memoir' and 'philosophy of'. The first couple dozen pages are a bit slow as Ondaatje finds his footing, but after that, the book is compelling.
I highly recommend this book to photographers, filmmakers, and any other creative people where editing is an essential part of the creative process. I own a copy that was given to me as a present some years ago. The two copies that I purchased recently were to give to two young film students, one in upstate New York, the other in Mexico City.Many thanks for carrying itSylvia
When you've got a great writer, Michael Ondaatje, and a compelling topic, movies, it's hard to miss. That assumes, of course, that, like me, you're hooked on words and movies both. If that profile fits you as well, you will find this volume highly worthwhile. By the way--and not a surprise, I suppose--there are great photos.
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