Kamis, 12 April 2018

Free PDF , by Stephenie Meyer

Free PDF , by Stephenie Meyer

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, by Stephenie Meyer


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Product details

File Size: 2494 KB

Print Length: 297 pages

Publisher: Little, Brown Books for Young Readers; 1st edition (August 2, 2008)

Publication Date: August 3, 2008

Language: English

ASIN: B0015DYIH2

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Amazon Best Sellers Rank:

#9,762 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I read this series a long time ago and I was reading it again for the 2nd time. I was ready to read the whole entirety of the book. To my dismay when I opened the file on kindle it said it was only 294 pages. I remember the book being massive and full of a lot of things. Upon further investigation, this kindle version has ONLY the Bella sections and according to a quick search the actual book is over 700 pages. Where can I find a kindle version of the complete book? and if that does not exist, how can I get my money back?

I feel the best books of the twilight series are the last two, in between the two the conclusion is the best of the series. this is because in the last book of the series Bella is not so much of a blank slate as she was in the first two books. Where her obsession with Edward and his flawless face was annoying because it distracted from having any real meat to the story in the last two books we see her world expand. She becomes a much more sympathetic protagonist to a hero in the last book. We see traits of a personality come out that make her stronger and deeper. When this happens The Love Story actually becomes interesting rather than annoying.It takes some patience for readers who are not 14 to 15 year old girls to get to the last books. The first two books are clearly aimed towards those age groups. For older young adults they would be a lot of cussing and much more sensuality.. For the most part it is a very clean book series with a chaste love it doesn't go beyond kissing for the first three books. In the last book the sensuality is increased slightly to the point that you know what is going on but there's no graphic description outside of metaphors and feelings. The series is still aim toward the younger crowd and really is more of a introduction for young readers in to the genre.The ending of the book series feels somewhat appropriate for what it is. The series as a whole is not full of action or real danger. Everything that occurs that puts a protagonist into danger seems to come about through happenstance, accident, or misunderstanding. There's no real consistent or engaging antagonist to the series. For the majority of the story those that would be considered the antagonist make brief appearances that for the most part last a chapter or less. The danger happens and then it is over. This last book will promise a real rough and tumble ending but deliver something much more poignant if a bit less satisfying for readers of other genres.Stephenie Meyer still makes it complex and interesting while ending her series on a strong note that makes me wish that she continued to write in this world. I have yet to read The Chemist but I have read The Host, her gender swap version of twilight, and of course The Short Life of Bree Tanner. I found that she has improved in her skill and her stories are much more engaging. In her gender swap story she managed to make the character that took the place of Bella who is named Beau into a more rounded character an interesting personality. The character of Edyth who took the place of Edward also felt more dangerous and complex. While in The Host she still had a love triangle at least it had a twist that made it interesting. It felt real and both the protagonist in the story we're so sympathetic that punch you right in the feels.Why the twilight series may not be my cup of tea necessarily it is well written and so long as I acknowledge it for what it is and who the target audience actually was the story is quite enjoyable. it is a good story and series to read for those who want to expand their palate or just to come away with their own opinion about the series rather than hearing others. Stephenie Meyer's wanted to write a love story in the first book that was about the obsession of first love with some paranormal traits within it. It was targeted towards younger girls and was written to their level. As a series progressed Stephanie Meyers wrote the story to an increasingly more mature audience as the characters grew and the audience expanded.I will say for writers or aspiring writers Stephanie Meyers does have a style that is very clear and draws the reader in. In the first two stories she did leave Bella as a blank slate making it easier for the reader to slip into her shoes but also making the character more of an outline than an actual person. Depending upon the genre and the audience this can work and it's interesting to see even if it's not necessarily enjoyed.

I really enjoyed this series. In fact I went back and purchased the audio editions. The books FAR outshine the movies and the audio were very enjoyable. I found I didn't like Jacob even a little bit until the last book. I thought him petty, manipulative and had he been a real person wouldn't have been someone I would want around. The movies fell far short but part of that was the actress who portrayed Bella. I found her stiff and jerky and unpleasing. Bella in the book was much easier to like.

Sorry. This is a review of the audio book. I had to return it as soon as I started. I do not enjoy performance books and this borders on it. I like a properly read and narrated audio book, and not some version where the conversations are acted out without accompanying written text. The first two books are read properly, but the Eclipse and Breaking Dawn audio books use two voice actors and edit out that part of the narrative normally used to describe the nuances of the spoken voices. That's abridged, in my opinion.

Every single one of the books in this beloved series is absolutely stunning! This fourth and last one wraps everything up in a very satisfying way, while delivering a solid story in Meyer's signature style, which is so riveting, it continues to gain new fans for the series even though this edition of the last book was published in 2012. The last movie was shown in theaters in November of that year.Edward and Bella's storybook wedding at the Cullen house, and their subsequent honeymoon on a lush tropical island off the coast of Brazil (Carlisle's gift to his wife, Esme), mark the very romantic beginning of the novel. Everything is deceptively peaceful....Then Bella becomes pregnant, thus setting off the novel's central conflict, for the child grows very quickly, putting her life in danger. Edward and Jacob both want her to have an abortion. She refuses, enlisting Rosalie's help in keeping that from happening.Of course I loved this novel! The details involved, Meyer's meticulous care to make sure all threads were neatly tied up in the end, are nothing short of masterful! As was apparent from the very first book, her characters are thoroughly fleshed-out, her settings beautifully described, and each event in the story seamlessly leads up to the next.Bella finally comes into her own in this novel. All her clumsiness is gone; she is now as graceful as a gazelle. And, as a newborn vampire, she's also stronger than even Emmett, easily beating him in several arm-wrestling contests, much to his chagrin. Yet, she's still the Bella that all of us fans have come to know and love, who is heroically self-sacrificing, deeply cherishes her loved ones, and who now turns into a fierce protector of her unusually gifted daughter.One of the things I especially admired in this novel was Meyer's depiction of a young woman who resolutely refuses to abort her baby, even though the pregnancy endangers her life. This is evidence of Meyer's very strong pro-life stance, with which I wholeheartedly agree. It's also beautiful to see how all the members of the Cullen family do everything in their power to make Bella comfortable during her unusual pregnancy.In fact, the Saga's overarching theme is the sanctity of human life. The Cullens, just like the Quileute werewolves, are totally committed to protecting humans at any cost, each in their own way. Life is inextricably entangled with love, and this love is a living force that, in turn, makes life precious.The setting of Forks -- which, in this book, is the only location in which all the action takes place -- is perfect for the unfolding drama. The lush, green forests, the meadows, the almost permanently cloudy skies....all form an appropriately turbulent backdrop for all the ensuing events in the novel. Furthermore, Forks is where it all began, in the first book, so this last novel brings everything full circle back again.I think that Meyer's solution to the love triangle of Edward, Bella, and Jacob, which took central stage in the third novel, Eclipse, is absolutely brilliant. It's clear evidence of her inventive power, and ties things up very nicely. Some have criticized it as being a little creepy, but I totally disagree. Yes, it's unusual, and totally unexpected. But that's precisely why it's so very perfect. Also, it allows Jacob to go back to being Bella's best friend, which is what he was to her in Twilight, as well as at the beginning of New Moon, the second novel in the series. In other novels, such triangles have usually been resolved through the violent death of one of the people involved. In keeping with her overarching theme, Meyer has chosen a totally original resolution -- a non-violent one.This was my third reading of the novel, and it surely won't be my last! All of these characters are now like family to me, and so, I feel very strongly tied to them. I love them all -- except for the evil Volturi, of course, although, as villains go, they are truly magnificently depicted. Thanks to Meyer's skillful, psychologically informed writing, I know them all so well -- their dreams, motivations, thoughts, feelings. I will always return to this book, as to the preceding three in the series, in order to become immersed once again in this lushly romantic, incredibly compelling story!

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Rabu, 11 April 2018

Ebook Download , by Frederic David Mocatta

Ebook Download , by Frederic David Mocatta

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, by Frederic David Mocatta


Ebook Download , by Frederic David Mocatta

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, by Frederic David Mocatta

Product details

File Size: 497 KB

Print Length: 59 pages

Simultaneous Device Usage: Unlimited

Publication Date: July 7, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07FC5C5J4

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Amazon Best Sellers Rank:

#294,239 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Good source of information about the Jews...and it also mentioned what part of Africa that the Jews migrated to as well!

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Kamis, 05 April 2018

Free Download Lonely Planet Pocket Sydney (Travel Guide), by Lonely Planet

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Lonely Planet Pocket Sydney (Travel Guide), by Lonely Planet


Lonely Planet Pocket Sydney (Travel Guide), by Lonely Planet


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Lonely Planet Pocket Sydney (Travel Guide), by Lonely Planet

Product details

Series: Travel Guide

Paperback: 192 pages

Publisher: Lonely Planet; 5 edition (October 16, 2018)

Language: English

ISBN-10: 9781786572707

ISBN-13: 978-1786572707

ASIN: 1786572702

Product Dimensions:

4.2 x 0.5 x 6 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#231,700 in Books (See Top 100 in Books)

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Selasa, 20 Maret 2018

Download Ebook Principles And Practice of Mechanical Ventilation, Third Edition (Tobin, Principles and Practice of Mechanical Ventilation)

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About the Author

Martin J. Tobin, MD is Professor of Medicine, Pulmonary and Critical Care Medicine at Loyola University Health Systems in Chicago, Illinois.

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Product details

Series: Tobin, Principles and Practice of Mechanical Ventilation

Hardcover: 1584 pages

Publisher: McGraw-Hill Education / Medical; 3 edition (December 4, 2012)

Language: English

ISBN-10: 0071736263

ISBN-13: 978-0071736268

Product Dimensions:

8.8 x 2 x 11.2 inches

Shipping Weight: 6.6 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#465,556 in Books (See Top 100 in Books)

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The third edition of Principles And Practice of Mechanical Ventilation is simply excellent. It can not miss in the library of the medical critical care practitioner. The book offers answers to most questions that the doctor is made in relation to mechanical ventilation. The version for kindle looks improved in comparison with the Second Edition, easy reading and navigation. Figures and tables with good resolution. A very comprehensive book, I recommend it!

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Kamis, 15 Maret 2018

Free PDF Merce Cunningham: Dancing in Space and Time : Essays 1944-1992

Free PDF Merce Cunningham: Dancing in Space and Time : Essays 1944-1992

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Merce Cunningham: Dancing in Space and Time : Essays 1944-1992

Merce Cunningham: Dancing in Space and Time : Essays 1944-1992


Merce Cunningham: Dancing in Space and Time : Essays 1944-1992


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Merce Cunningham: Dancing in Space and Time : Essays 1944-1992

From Library Journal

Cunningham presented his first dance performance in 1942 and in subsequent years established himself as one of the most important and influential figures in modern dance. That no critical biography or monograph has been written on him and his work both is a disappointment and an unfortunate oversight. Kostelanetz, author of numerous books, including The Theatre of Mixed Means ( LJ 8/68), here compiles thoughtful newspaper reviews, journal articles, and essays. Contributors include Edwin Denby, Marcia B. Siegel, Arlene Croce, John Cage, Kenneth King, and many others. Together they provide an overview of critical response to Cunningham, as well as a bird's-eye view of the development of serious dance writing. A handy feature is a chronology of Cunningham's works. Because tracking down the original sources of these writings would be time-consuming, and because certain insights are gleaned from reading each in the context here, the book is a useful addition to public and academic libraries and to specialized arts collections.- Joan Stahl, National Museum of American Art, Washington, D.C.Copyright 1993 Reed Business Information, Inc.

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Product details

Paperback: 243 pages

Publisher: A Cappella Books; 1St Edition edition (December 1, 1992)

Language: English

ISBN-10: 1556521529

ISBN-13: 978-1556521522

Product Dimensions:

7 x 0.8 x 10 inches

Shipping Weight: 1.1 pounds

Average Customer Review:

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Amazon Best Sellers Rank:

#1,917,890 in Books (See Top 100 in Books)

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Minggu, 04 Maret 2018

PDF Download The Voynich Manuscript: The Mysterious Code That Has Defied Interpretation for Centuries

PDF Download The Voynich Manuscript: The Mysterious Code That Has Defied Interpretation for Centuries

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The Voynich Manuscript: The Mysterious Code That Has Defied Interpretation for Centuries

The Voynich Manuscript: The Mysterious Code That Has Defied Interpretation for Centuries


The Voynich Manuscript: The Mysterious Code That Has Defied Interpretation for Centuries


PDF Download The Voynich Manuscript: The Mysterious Code That Has Defied Interpretation for Centuries

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The Voynich Manuscript: The Mysterious Code That Has Defied Interpretation for Centuries

Review

"If you think all languages have been deciphered, this manuscript offers up a challenge--and provides unique symbols leading to the possibility that it's a lost alchemical work." (Diane C. Donovan, California Bookwatch, Dec 2006)

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From the Back Cover

ANCIENT MYSTERIES Since its discovery by Wilfrid Voynich in an Italian monastery in 1912, the Voynich Manuscript has baffled scholars and cryptanalysts with its unidentifiable script and bizarre illustrations. Written in an unknown language or an as-yet undecipherable code, this medieval manuscript contains hundreds of illustrations of unknown plants, cosmological charts, and inexplicable scenes of naked “nymphs” bathing in a green liquid that some interpret as a symbolic depiction of human reproduction and the joining of the soul with the body. Gerry Kennedy and Rob Churchill explore the mystery surrounding the Voynich Manuscript, examining the many existing theories about the possible authors of this work and the information it may contain. They trace the speculative history of the manuscript and reveal those who may be connected to it, including Roger Bacon, John Dee, Edward Kelley, and the Cathars. With the possibility that it may be a lost alchemical text or other esoteric work, this manuscript remains one of the most intriguing yet enigmatic documents ever to have come to light. GERRY KENNEDY is a freelance writer and has produced a number of BBC Radio 4 programs, including one on the Voynich Manuscript in 2001. ROB CHURCHILL is a professional writer who has written scripts for many production companies, including the BBC and Thames Television. Both authors were consultants for the BBC/Mentorn Films documentary The Voynich Mystery. They live in London.

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Product details

Paperback: 328 pages

Publisher: Inner Traditions; 3rd Edition, First North American edition (August 28, 2006)

Language: English

ISBN-10: 1594771294

ISBN-13: 978-1594771293

Product Dimensions:

6 x 0.9 x 9 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#339,014 in Books (See Top 100 in Books)

I bought this book recently, and I must say I'm impressed. I found it to be very informative. However, I also have to say that it is lacking in the way photos of pages in the MS. The text and the drawings in the MS are discussed, but since the MS is so long and so "illustrated," it's disappointing that so few of the pages in the document are actually shown in this book. But this is still a really good book for what IS in it (or for most of what's in it), in my opinion. The VMS is one of the most fascinating enigmas (if not THE most fascinating one) that I've become familiar with. Everything about it is mystifying. Who wrote it? Why did they write it? Is it in an "encrypted" natural language, or is it perhaps in a "made-up" language? Just exactly what is the significance of the many plants, of the mostly-naked females, and of the other strange imagery? Is the MS "mystical," or does it have some botanical or medical or religious significance? Do the text and the drawings really even have to do with each other? To this very day, the answers to these questions remain uncertain, though theories abound. Since the publication of this book, the VMS has been carbon-dated and appears to have been created between 1403-1438, and so it seems unlikely that it's a hoax, as the book several times admits it may be --- and as one of the authors believed (believes?) it was (is?); one thing that's for sure is that it isn't a 20th-Century hoax perpetrated by Wilfrid Voynich himself (or for that matter, by anyone else). Thus, a good bit of what it is in the book is now outdated (most of that stuff is in the last two chapters). But most of it is still "contemporary." This book discusses many of the theories and "decryptions" that have been put forward, and how they were carried out --- as well as how they were flawed. Probably the best example of a so-called "solution" to the puzzle of the VMS was the very-convoluted one presented by Prof. William Romaine Newbold, who firmly believed, as did Wilfrid Voynich himself, that the MS was the work of Roger Bacon. The best "debunker" in the book is probably Prof. John Mathews Manly, who worked to show that Newbold's "decryption" was wrong. The book also concerns the many methods of creating ciphers, and their strengths and weaknesses. (A cipher may SEEM "unbreakable" when in fact it's far from it, as the book demonstrates.) Of all the attempts that have been made to "crack" the MS' "cipher" (if that's even what it truly is), and to figure out how the cipher might have been created in the first place, NONE have produced "results" that are completely respectable, if at all. Could it be that the MS is the product of a "not right" mind, or of someone suffering from migraine hallucinations? Not one "explanation" for the MS seems entirely satisfactory. Perhaps there isn't just one explanation, and there are many different factors at work. As I said before, I found this book to be very informative. But, in addition to the lack of photos from the VMS, it has some other shortcomings, at least in my opinion. For one thing, on page 152 it says of the MS, "there are no doubled letters." But, earlier, on page 117, in the discussion of James Martin Feely's "Voynichese to Latin" translations of the "Voynichese words" appearing on that page, one of the "Voynichese" letters (the one that looks like a 'c' and that Feely "transcribes" as 'm') clearly appears twice in a row in the words. 'MM' and even 'MMM' also appear in many of Feely's other "transcriptions," and there is one instance of 'NN.' [Edit from Oct.'13: Since I first posted this review, I've realized that there are also many other instances in the book where the same letter shows up twice in a row in Voynichese words!] Inconsistent, unless I've missed something or don't have something straight. And, as someone else pointed out, the authors don't seem to understand alchemy. (I suppose it could well be that the MS was meant as an alchemical experiment.) There were also places where I found the book to be sort of tedious, although it managed to hold my interest nonetheless. (The inclusion of the outdated stuff is a potential problem, as that stuff was still "valid" when the book was published, but at the same time, will fool those who aren't aware of the fact that the MS has been carbon-dated, or of its apparent [approximate] age.) I must say also that there are a few places in the book that trouble me a bit, for reasons that are rather personal. The authors are apparently atheists who do not believe in the existence of the spiritual world, or in any truly "spiritual" or "psychical" manifestations. I respect those who do not subscribe to any religion and who do not believe in the "spiritual" or the "psychical," and I don't want to argue with any of them here, but to me, the authors' attitude toward these matters is kind of off-putting. I don't doubt that people can and probably have misinterpreted purely "scientific" occurrences as "spiritual"/"psychic"/"divine intervention," but I firmly believe that science cannot account for everything, at least not entirely. But again, I don't want to argue with anyone. I'm not here to shoot anyone because of what they believe or don't believe. Despite my issues with the book, I really do think it's really good overall!

A great book. Full of possibilities; a nice review of the now long history of this mysterious manuscript. After reading the book, I have a feeling that it is not supposed to be deciphered and it is some sort of Alchemy in a form of book: whoever researches it, finds the truth they are looking for, or they believe in. Nobody got rich with the manuscript, as far as i can tell, but many had the feeling they reached some sort of a personal satisfaction of one's innermost desires.The last owner of the manuscript donated it but there is a mention that he personally went to the Vatican Library and found out that the Vatican was surprised that they did not have it there, when it should have received from Villa Mondragone in 1912...

The authors present a wide-ranging account of the approaches that have been taken to interpreting the VM. The writing is a bit bumpy, perhaps because of the multiple authors, but that doesn't interfere with the lucidity and cohesion of the book as a whole. I especially appreciated the material on the history of cryptography and cryptanalysis in chapters 4 and 5: an exceptionally clear yet adequately terse account of the methods that underlie the core of efforts both old and new to decipher the script. I'm less sure of the value of attempts to gain insight from the graphics, presented in chapter 6. Yet some consideration of them is absolutely necessary, since they provide the atmosphere that's certainly out of this world, making anyone examining the VM believe there must be something of value hidden within it.Sadly the book was published before the results of radio-carbon dating of the vellum were published. If accurate, that dating rules out origination prior to the 15th century. However, the samples used for that analysis may have skewed the results, so I don't suppose we've heard the last word in that arena yet.One thought the book prompted, which so far as I know hasn't been considered. Could the VM be simply a fantasy-fiction work, not deliberately intended to deceive or defraud as a hoax would?

The authors do a fantastic job describing the Voynich manuscript's rich history and the history of efforts to break its secrets. It is only harmed by being pre-2011 and therefore the 1404-1438 radiocarbon dating of the MS was not complete. That means some avenues of research and thought are now obsolete. Reader be warned! This is no fault of the authors, however.

A superb overview of the Voynich Mystery, the authors balance the clinical analysis needed with a thought provoking writing style. Opening every possible door and examining each thoroughly before shutting them, only at the end are we left with their own opinions as to what this thing is and what it might mean. From cryptography to psychiatry to theology to in the dirt historical research, every angle is examined. An excellent recitation and discussion of a fascinating mystery.I would happily buy an updated version detailing recent technical analysis carried out on the manuscript.From my view, the it's most likely this thing is simply a 15th century hoax related to alchemy- that "science" was infected with hoaxes. But if it's not the significant improvement in computing power in recent years should eventually crack whatever code exists. So hopefully one day we'll know what those plump nymphs were really up to.

A great curiosity and does give a person a lot to think about. Makes a person wish they had an actual copy to study.

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Minggu, 25 Februari 2018

Free Ebook Who Is Sherlock? Essays on Identity in Modern Holmes Adaptations

Free Ebook Who Is Sherlock? Essays on Identity in Modern Holmes Adaptations

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Who Is Sherlock? Essays on Identity in Modern Holmes Adaptations

Who Is Sherlock? Essays on Identity in Modern Holmes Adaptations


Who Is Sherlock? Essays on Identity in Modern Holmes Adaptations


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Who Is Sherlock? Essays on Identity in Modern Holmes Adaptations

About the Author

Lynnette Porter is a professor in the Humanities and Communication Department at Embry-Riddle Aeronautical University in Daytona Beach, Florida, and has written extensively on television and film.

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Product details

Paperback: 224 pages

Publisher: McFarland & Company (June 16, 2016)

Language: English

ISBN-10: 0786499079

ISBN-13: 978-0786499076

Product Dimensions:

6 x 9 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,645,980 in Books (See Top 100 in Books)

"Who is Sherlock? Essays on Identity in Modern Holmes Adaptations", edited by Lynnette Porter, examines the modern adaptations of Sir Arthur Conan Doyle’s consulting detective – the BBC’s "Sherlock", CBS’s "Elementary", Guy Ritchie’s "Sherlock Holmes" films (starring Robert Downey, Jr.), and "Mr. Holmes" (2015, dir. Bill Condon). When necessary, Porter and her fellow contributors reference everything from Sidney Paget’s original illustrations to William Gillette’s "Sherlock Holmes" 1916 film, the first feature-length film about the detective, up through the popular Jeremy Brett series from the 1980s-1990s. Porter summarizes in her introduction, “Nearly 130 years after the introduction of Sherlock Holmes to readers, the Great Detective’s identity is being questions, deconstructed, and reconstructed more than ever. In this book alone, the authors analyze not only who Sherlock Holmes is or has become, but why and how his identity has been formed in a specific way” (pg. 1).Discussing the role of identity in the "Sherlock" special, “The Abominable Bride,” Felecia McDuffie writes, “Mycroft understands, better than Sherlock does himself, that his detective-persona also has unacknowledged romance embedded in it. Sherlock doesn’t want to be a forensic scientist; he wants to be St. George” (pg. 42). This plays a role in how this version of Holmes casts a Victorian Watson in his hallucination. McDuffie continues, “Sherlock imagines a John as a heroic figure, treating the wounded under difficult conditions. John is his moral compass as Sherlock tries to find his way from what he suspects or fears he is – an addict and a failure – to what he hopes he can be: the ‘gentleman hero,’ the person who can hold himself to a higher moral standard for the people who need him” (pgs. 42-43). In this role Holmes’ most important tool is his mind.Porter examines the portrayal of his Holmes’ thought process and brain attic, arguing, “In canon, as well as in these adaptations, Holmes is defined by the way his brain has been trained to work. Understanding the mind of Sherlock Holmes is key to knowing how Holmes thinks of himself and the ways that everyone else – from friends and family to the general public – perceives him” (pg. 49). Specifically, “Sherlock Holmes’s brain and his thinking process distinguish him from other characters and often make him the object of awe” (pg. 51). While every film finds its own way to demonstrate the superiority of Holmes’s brain and thinking process, Porter argues, “Among adaptations’ visualizations of Holmes’s mind, two stand out as technically superior: the Guy Ritchie-directed "Sherlock Holmes" film series and "Sherlock". They employ sophisticated, innovative uses of filming technologies. (In contrast, "Mr. Holmes" deals with Holmes’s memories through the well-known and often-used flashback, and "Elementary", like canon, most often relies on Holmes’s dialogue to explain his thoughts)” (pgs. 54-55).The visual also plays a role in distinguishing Holmes and his arch nemesis, Moriarty. Heather Powers begins with the Paget drawings and Doyle’s own description, which she describes as “what we would today call ‘profiling’” as Victorians “took for granted that criminals could be identified just by looking at them” (pg. 112). In the original work, “the two characters’ mirroring of one another is clearly indicated by Conan Doyle, although Holmes is on the side of good, whereas Moriarty is his opposite – an evil influence on society. Neither of them possesses the charm that will characterize their later depictions on television or film” (pg. 112). Over time, portrayals of both characters have used more attractive actors to increase their sex appeal, but Powers argues that Moriarty remains the more tantalizing character. She writes, “Because Moriarty’s backstory in canon is limited, he has been largely created by the imaginations of audiences and adaptors. He is a perfect ‘blank slate’ upon whom audiences (and film and television series’ creators) can write their greatest fears and secret desires” (pg. 120). While audiences expect certain elements in Holmes’s identity, Moriarty offers more opportunity for variation.These examinations of identity encourage an examination of Sherlock Holmes’s continued prominence in popular culture. Unfortunately, the book was outdated shortly after McFarland published it as the BBC completed its "Sherlock" series, offering new material for analysis as well as answering the question of Redbeard’s identity. With that caveat in mind, fans of the character and of the recent adaptations will find plenty to enjoy here, though some of the articles read more like well-crafted examinations from fans rather than scholarly works and the BBC series receives the most attention.

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