Free PDF Ghost Wall: A Novel, by Sarah Moss

Free PDF Ghost Wall: A Novel, by Sarah Moss

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Ghost Wall: A Novel, by Sarah Moss

Free PDF Ghost Wall: A Novel, by Sarah Moss

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Review

Finalist for the Women's PrizeAn Indie Next Pick for January 2019New York Magazine Approval Matrix, "Highbrow Brilliant"A Southern Living Best New Book of Winter 2019A Refinery29 Best Book of January 2019A Nylon Best Book to Read in 2019A Huffington Post Most Anticipated Book of 2019A Lit Hub Most Anticipated Read of 2019A Guardian Best Book of 2018A Times Literary Supplement Best Book of 2018A New Statesman Best Book of 2018A Spectator Book of the YearA Financial Times Best Book of 2018A Times (UK) Best Book of 2018A Metro Best Fiction Book of 2018“I stayed up half the night gulping down Sarah Moss’s slim, unnervingly tense novel. Ghost Wall has subtlety, wit, and the force of a rock to the head: an instant classic.” ―Emma Donoghue, author of Room“A compact, riveting book.”―Alyson Hagy, The New York Times Book Review"[Ghost Wall] compresses large and urgent themes―the dangers of nostalgic nationalism, the abuse of women and children, what is lost and gained when humans stop living in thrall to the natural world―into a short, sharp tale of suspense. The way Moss conjures up the dark magic and vestigial landscapes of ancient Britain reminded me a little of the horror movie The Wicker Man . . . The novel’s feminism, though, felt utterly contemporary . . . I read Ghost Wall in one gulp in the middle of the night."―Margaret Talbot, The New Yorker“A master class in compressing an unbearable sense of dread into a book that can be read in a single horrified (and admiring) hour . . . Ghost Wall is perhaps the finest novel so far to come out of the British literary response to these uneasy times.” ―Sarah Perry, The Wall Street Journal"Sarah Moss possesses the rare light touch when it comes to melding the uncanny with social commentary . . . Ghost Wall is such a weird and distinctive story: It could be labeled a supernatural tale, a coming-of-age chronicle, even a timely meditation on the various meanings of walls themselves. All this, packed into a beautifully written story of 130 pages. No wonder I read it twice within one week."―Maureen Corrigan, NPR"Moss’ myth-like Ghost Wall isn’t merely a timely topical novel, but rather a timeless work of art."―Randy Rosenthal, The Minneapolis Star Tribune“Tense, poetic, and compelling.” ―Mike Doherty, The Toronto Star“The fear produced by this fine-honed, piercing novel springs not from the superstitious customs of prehistory but from the more intimate horrors of human nature.” ―Sam Sacks, The Wall Street Journal"A fascinating, horrifying look into the way in which . . . fixation on the past threatens our present and our future . . . Moss skillfully builds an atmosphere of menace and peril, making it so that I both dreaded and couldn’t wait to turn every page, simultaneously afraid and compelled by what strange, inevitable violence lay ahead . . . Spend an afternoon reading this marvel of a book, and then spend the next few weeks thinking about nothing else."―Kristin Iversen, Nylon“The story is exquisitely written; the characters are perfectly drawn and pop off the page . . . A triumph.”―Leah Schnelback, Tor.com"Remarkable, inventive . . . Sarah Moss unpacks the toxic patriarchy all without leaving the confines of a teenage girl's two-week trip to the remote northern edges of England." ―Elena Nicolaou, Refinery29“I love this book. Ghost Wall requires you to put your life on hold while you finish it. It draws you into its unusual world and, with quiet power and menace, keeps you there until the very last page. Silvie's story isn't one you will ever forget.” ―Maggie O’Farrell, author of I Am, I Am, I Am and The Vanishing Act of Esme Lennox“This book ratcheted the breath out of me so skillfully that as soon as I’d finished, the only thing I wanted was to read it again.” ―Jessie Burton, author of The Miniaturist“A perfectly calibrated consciousness that is energetic and lonely and prone to sharp and memorable observations . . . This is a haunting, astonishing novel.” ―Publishers Weekly, starred review“Thought provoking on multiple levels, with insights into primitive and modern societies, and coming of age in the face of family violence.” ―Library Journal, starred review"With stark and haunting prose that perfectly captures the harshness of the conditions the group is re-creating, Ghost Wall explores what the past can teach us about the present and what the present can teach us about the past--especially when the two are not as far removed as we may like to believe."―Kerry McHugh, Shelf Awareness“A novel as tightly woven as the baskets its heroine plaits, Ghost Wall is a startling and bloody blade of a book. A teenage girl, her parents, and a group of students agree to reenact life in Iron Age England over the course of a holiday, and slide into sacrifice. Elements of The Secret History combine with The Witch, plus bog bodies, patriarchal and class violence―it’s a slender, scathing fable for today, made of the ingredients of the past thousand years.” ―Maria Dahvana Headley, author of The Mere Wife“Ghost Wall grabs you by the guts and never lets go. Dazzling." ―Elizabeth Day, author of The Party“A thorny, thoroughly original novel about human beings' capacity for violence.” ―Kirkus“Tackling issues such as misogyny and class divides, Moss packs a lot into her brief but powerful narrative.” ―Booklist“A short, sharp shock of a book that closes around you like a vice as you read it . . . From the terse, dismaying little prologue, in which an iron age girl is marched out and murdered before an audience of neighbours and family, to the hair-raising, heart-stopping denouement, it hurtles along and carries you with it, before dumping you, breathless, at the end . . . Ghost Wall is a burnished gem of a book, brief and brilliant, and with it Moss’s star is firmly in the ascendant.” ―Sarah Crown, The Guardian“The curious allure of re-enactment is cleverly explored in Moss’s short, potent novel . . . A Brexity tale to send shivers down your spine.” ―Rebecca Rose, The Financial Times"Ghost Wall . . . is further proof that [Moss is] one of our very best contemporary novelists. How she hasn’t been nominated for the Man Booker Prize continues to mystify me – and this year is no exception . . . a gripping narrative . . . It’s an intoxicating concoction; inventive, intelligent, and like no other author’s work."―Lucy Scholes, The Independent, Five-Star Review"Ghost Wall, a slim but meaty book, is like nothing I have read before; its creepy atmosphere has stayed with me all summer . . . Moss combines exquisite nature writing, original characters and a cracking thriller plot to make a wonderful literary curiosity. It deserves to pull her out of the bog of underappreciation and on to the prize podiums."―Alex O'Connell, The Times (UK)"Stunningly good, a tightly written, powerful book about archaeology and Englishness." ―Alex Preston, The Observer"Moss truthfully conveys the way teenage girls make friends . . . In just 149 pages Moss does a remarkable job at building an engaging, textured world and Silvie is a likeable heroine. You root for her ― and she might just surprise you."―Susannah Butter, Evening Standard “[Sarah Moss is] this divided country’s most urgent novelist. Her themes: the cycles of history, male absurdity, the forms female subversion may take, in irony, sickness and sacrifice. It helps that she’s absurdly topical, and that she’s funny.” ―Daniel Swift, The Spectator"Reading Ghost Wall in the context of contemporary Britain only serves to highlight the folly of wishing for the good old days . . . The book can be read as a Brexit fable, where seppuku levels of self-sacrifice are forged with lemming-like gusto . . . There is a spring-taut tension embedded in the pages . . . Moss’s brevity is admirable, her language pristine."―Sinead Gleeson, The Irish Times "Moss slowly ratchets up the tension, much as the Iron Age people they are studying used to slowly twist a length of rope around the necks of the human sacrifices they made, up on the nearby moors."―Roger Cox, The Scotsman"[Combines] the components of a thriller with a nuanced understanding of history, its fluctuating interpretations and its often traumatic effect on the present . . . Moss’s sensual writing recalls the late Helen Dunmore . . . A bold, spare study of internecine conflict."― Catherine Taylor, New Statesman"Characteristically intelligent . . . both subtle and devastating . . . Moss is the author of five acclaimed novels but in this short volume has, I believe, produced her best fiction to date."―Totally Dublin“Reading Ghost Wall is an intense experience. Its claustrophobia and fearful build up leave you feeling close to tears. It is a masterful piece of writing that cements Moss’s reputation as one of our best novelists.” ―Sian Norris, Prospect"The 'ghost wall' of the title becomes a powerful metaphor for the invisible boundaries that exist between different groups of people, not just in the past but also at the present time. Sarah Moss combines her research interests in food, place and material culture to good effect."―Lucy Whetman, Press Association/The Telegraph“A masterpiece of concision . . . Whether evoking the landscape and the natural world or charting the dynamics between her strongly drawn characters, there is precision, elegance and, yes, a dark beauty.” ―Martin Spice, Star2"Moss’s finely balanced novel combines a strong sense of the natural world with a growing atmosphere of menace, interspersed with wry humour." ―Anthony Gardner, The Mail on Sunday“Certain to give you the chills and the creeps . . . Ghost Wall addresses issues of gender and class, British identity and borders, in 160 pages.” – Sana Goyal, LiveMint“Moss is the author of several unsettling and intelligent novels about women constrained by historical circumstance, and this, narrated beautifully by a teenage girl, is one of her best yet.” ―Metro"Sarah Moss is fascinated by bodies and isolation, and by bodies in isolation . . . Here, [she] is again drawn to an adolescent female body . . . Moss appears to collapse layers of history, to render skin and knife and rope identical across millennia. What provokes and perpetuates that capacity for harm, and what powers a mystical belief in its propitiatory value, remains eerily unclear, but no less urgent a concern for us than for our ghostly forebears."―Alex Clark, The Observer “Is Sarah Moss the best British writer never nominated for the Booker? . . . as brief and unsettling as a bolt of lightning . . . [Ghost Wall] pins us to the page with creeping menace.” ―Anthony Cummins, Daily Mail“Exquisite . . . the book works subcutaneously, building towards an ending that is all the more horrifying for its unexpectedness . . . an important novel that wears its timeliness lightly.” ―Financial Times“Unnerving . . . An intense and menacing book―the sort that’s best read in one sitting.” ―Francesca Carrington, Tatler“Sarah Moss . . . combines a poetic sensibility with great storytelling . . . Moss is brilliant on atmosphere.” ―John Boyne, Metro UK“Succinct and sublime . . . Moss depicts the connections between the people and the landscape with wonderful and lyrical precision, not a word is wasted on the page in her supple prose, and she is also expert at revealing her characters through the tiniest act or gesture. Ghost Wall is a masterclass in the ‘less is more’ style of writing, creating unbearable tension right up to the violent climax.”―Doug Johnstone, Big Issue“An unsettling novella about gender, power, and control that immerses you in its dark terror and won’t let go . . . Captivating.” ―Attitude “Writing that, along with vivid responses to the natural world and acute alertness to class, regional and sexual tensions, recalls the early fiction of DH Lawrence. It brings enriching complexity to this tale of escalating menace.” ―Peter Kamp, Sunday Times“Moss is the author of a series of unsettling, beautifully strange novels, and her latest . . . is no exception.”―Sarah Hughes, iNews, “50 Top Reads for Autumn”“Outstanding . . . The threat of unchallenged authority is brilliantly exposed . . . Grave and sophisticated, lit by flashes of wry humour, this is a drama that excavates our deepest instincts.” ―Caroline Jackson, Country Life“What I admire . . . is Moss’s ability to find an emotional connection with characters in the far distant past . . . Eerie and gripping.”―Editor’s Choice, The Bookseller

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About the Author

Sarah Moss was educated at Oxford University and is a professor of creative writing at the University of Warwick. Her books include the novels Cold Earth, Night Waking, and Signs for Lost Children, and the memoir Names for the Sea: Strangers in Iceland.

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Product details

Hardcover: 144 pages

Publisher: Farrar, Straus and Giroux; First Edition edition (January 8, 2019)

Language: English

ISBN-10: 0374161925

ISBN-13: 978-0374161927

Product Dimensions:

6.4 x 0.6 x 7.7 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

48 customer reviews

Amazon Best Sellers Rank:

#18,120 in Books (See Top 100 in Books)

I was excited about this book when I read the synopsis pre-publication. However, the novel was quite a disappointment. Although the historical depiction of British prehistory was interesting, the plot line was not. The author seems to have it out for men. Rather than a trip back into the Stone Age, the book is pretty much of a rant against abusive men, which, as it turns out, is about every man in the book. I wouldn't waste time reading this.

A stunning book, beginning to end, truly an ageless allegory about people straining to find authority in the mistreatment of history and of their loved ones. Also a class-infused story of privilege posing as superiority, of education parading as wisdom. Beautifully rendered. The re-enactment of history as a virtuous parade of cruelty.

I was enthusiastic about ordering and reading this book. It sounded exciting and seemed to have all the elements of a good anthropological thriller. But the hype (incl an NPR interview with the author that got my initial interest) was better than the disappointing plot. Although another review here pointed out the gratuitous male-trashing throughout this story (with which I agree), MY prime objection is that the plot promised so much sacrificial debauchery in its preface, then failed to deliver much more than a petulant nature romp through the British bogs. It was as if the author - a creative writing professor no less - was afraid to allow her first-person protagonist to be seen as threatened or suffering. This novel could have been so much better (and longer and darker) but she seemed to be hiding behind her academics and not releasing her true creative potential.

Ghost Wall is a spare, elegantly written book, with disturbing themes. It build to a climax that I knew was coming, even though I hoped it wouldn't. The end is sudden, and leaves me wanting to know what happens next. There are some scenes that could be triggering for some people. Overall, a good story. I'm definitely going to look for other works by this author.

Amazing read — spare and tight and chilling — how far will a father go to pursue his vision? The book was incredible and very well done. Loved the historical bits and found the protagonist authentic and the plot compelling. A harrowing indictment of the patriarchal family structure.

Good book if you have only an afternoon and want to be taken by the hand and dragged through an exciting adventure.Very well-written, although the absence of quotation marks makes it necessary to pay attention to who is likely to be speaking.

Just wow. I can smell the bog. See the faces. The warmth of the sun in the early morning. The smell of fire and the salt air along the shore.

A surprising and compelling tale, full of archeology and the proof of man's inhumanity to man. I couldn't stop reading.

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